They fought in two multi-part episodes of the series: "Kill Oscar" and "Fembots in Las Vegas", and despite the feminine prefix, there were also male versions, including some designed to impersonate particular individuals for the purpose of infiltration.While not truly artificially intelligent, the fembots still had extremely sophisticated programming that allowed them to pass for human in most situations.Researchers have noted the connection between the design of feminine robots and roboticists' assumptions about gendered appearance and labor.

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This has been seen as an allegory of male chauvinism of the period, by representing marriage as a master-slave relationship, and an attempt at raising feminist consciousness during the era of second wave feminism.

In a parody of the fembots from The Bionic Woman, attractive, blonde fembots in alluring baby-doll nightgowns were used as a lure for the fictional agent Austin Powers in the movie Austin Powers: International Man of Mystery.

The first was produced by Sex Objects Ltd, a British company, for use as a "sex aid".

It was called simply "36C", from her chest measurement, and had a 16-bit microprocessor and voice synthesiser that allowed primitive responses to speech and push button inputs.

In 1983, a busty female robot named "Sweetheart" was removed from a display at the Lawrence Hall of Science after a petition was presented claiming it was insulting to women.

The robot's creator, Clayton Bailey, a professor of art at California State University, Hayward called this "censorship" and "next to book burning." Artificial women have been a common trope in fiction and mythology since the writings of the ancient Greeks.

This has continued with modern fiction, particularly in the genre of science fiction.

In science fiction, female-appearing robots are often produced for use as domestic servants and sexual slaves, as seen in the film Westworld, Paul J.

A gynoid is anything that resembles or pertains to the female human form.